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"Oh, no," says Rodney, hastily. "I have given quite too much trouble already. I assure you I am quite well enough now to ride back again to Bantry." Her face changes. He has made no mention of the treasured gown, has said no little word of praise. Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature.".

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That fret the clouds are messengers of day." "It was more than a 'surprise.' That is a mild word," says Lady Rodney. She is looking at him, is telling herself what a goodly son he is, so tall and strong and bright and handsome. He might have married almost any one! And now—now——? No, she cannot forgive. "It was, and must always be, a lasting grief," she goes on, in a low tone. He leans against the window and looks out anxiously upon the darkening twilight. His mother watches him with curious eyes. Suddenly he electrifies the whole room by whistling in a light and airy fashion his favorite song from "Madame Favart." It is the "Artless Thing," and nothing less, and he whistles it deliberately and dreamily from start to finish. "Nevertheless, close the curtains, Geoffrey, and ask Lady Rodney if she would not like tea now," says Violet, sotto voce..